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Gustav Holst meets Thomas Hardy on 16mm

I had occasion to copy three films that were made in the 1970s. One was 16mm the other two were Super 8mm. The interesting thing was that they had a soundtrack that had been recorded separately and mastered onto Audio CD. The films were captured at a frame rate of 24fps for 16mm and 18fps for Super 8mm. This odd frame rate was used to stop frame jitter. I then ...

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